This morning, I made another of the wonderful trips outside of the state of Ohio to find an ATM that will allow me to deposit my paycheck in my bank account. Yes, I’ve once again been to Michigan on a fine Sunday morning, but the intent of this post is not to gripe about leaving the state to go to the bank or even having to do so.
I noticed, when first I made this trip two weeks ago, that there is a fascinating bridge that takes I-280 across a river near Toledo. I noticed it again today—not surprising since I drove across it twice more today. The visible supports for this bridge are all in the center, between the lanes of traffic, and they consist of a number of metal cylinders running diagonally from the plane of the bridge that is the surface of the roadway to one central concrete pylon. I’m not doing it justice with my description, of course, but it’s oddly beautiful, and it’s relatively new—the steel is still bright and shiny.
It’s fascinating.
And I want to photograph it.
But that thought led to another: When I was in Newcastle, in England, three years ago (has it really been that long?), I spent a rainy Saturday doing the tourist thing. I walked all over Newcastle and Gateshead and even took the train to Jarrow and Wallsend (this latter was a waste, as the Roman fort closes a half hour before dusk, which in those northern climes in November means 3:30 in the afternoon, and I arrived at 3:45). I walked all around the first three places, though, and I took lots of pictures; I think it ended up being hundreds of pictures (ain’t the digital age wonderful?).
Today, though, I thought of the fact that I spent a lot of time, on both the Newcastle and Gateshead sides of the River Tyne, taking pictures of the three bridges spanning the river in close proximity to one another. And fascinated by the differences between the Tyne Bridge—a steel beam structure that looks very pragmatic and solid in its sturdiness, built in the early-to-mid-20th century, and very representative of its time—and the Millennium Bridge—an arched, curved, cable suspension structure built to mark the turning of the 21st century and the 3rd millennium. One is very practical and beautiful in a very industrial age way (like the Eiffel Tower—which, I must say, I have little desire to actually see, other than to say I’ve seen it; maybe I’ll talk more about Paris some other time); the other is intentionally beautiful, to the point, perhaps, of the seeming exclusion of practicality—a bridge, after all, is meant to cross a river—but having walked across it, I can tell you it does work.
I was fascinated by the dichotomy of these two bridges though, which stand on the River Tyne, a mere five or seven or ten minute walk apart.
I was more fascinated today by my fascination with bridges—something I had never consciously noted in myself before.
And that’s when the mental postcard from my childhood arrived. I’m not saying, though, that this flash of memory from when I was 9 or 10 indicates the source of my apparent bridge fetish. No, I don’t think it’s necessarily that at all. But when I was a kid, I remember building a small wooden footbridge with my dad.
Actually, I remember trying, first, to build the bridge by myself. And failing miserably. I was thinking it was a project I could handle, and that it was very important to me that there should be a footbridge across the gully that ran through the 3+ acre hay field that went with the old farmhouse we lived in at the time, though I don’t remember why it should have been so important.
But it was important, and seeing the spectacular lack of success I was having with my efforts, my dad decided that he and I could undertake this project together. So we did. We built a stout bridge, based on landscape timbers and deck boards with railings on both sides (a feature I hadn’t considered). Then we moved it into place, and dug away at both ends so that the bridge would sit solid and level on the ground.
Though not from precisely the happiest time of my childhood, this was a happy memory, and I smiled at the thought of it as I drove across the bridge that occasioned this little picture postcard from the past.
Continuing my drive, though, I realized that I’d gotten this particular postcard before. Not in the same way, though, not as the memory of building and placing the bridge, the memory itself. Instead, I’ve remembered that little wooden footbridge in my imagination. In this case it was four or five years later when I was reading a book (Faerie Tale by Raymond Feist, if you want to know, and now I want to read it again—almost 20 years later). You see, in this book, the primary setting was described as rural, as an old farmhouse, but there was not really enough description of its interior or surroundings to form a good imaginative picture of them (and I don’t mean this as a flaw, because it wasn’t really necessary that there should be such a level of description). Today, I realized that, while reading as a teenager, I supplied a mind’s-eye picture of that place, with that same snapshot from my childhood: the old farmhouse where I had lived for two years.
Of course, I made some changes. The part of the hayfield on the far side of the gully was filled in with trees, as the story described, and a post and rail fence ran along the bottom of the hill on the near side of the gully, where Dad’s (always) oversized garden had been in reality. There was a gate set in this fence, and there, though the story didn’t demand it, on the far side of the gate stood my little footbridge, now leading to the path that disappeared up the hill on the other side leading into the woods that was never there, in reality. This was how I saw the story, where I saw its strange and supernatural events unfolding.
Reflecting on this, on both sides of my conversation this morning with that ATM in Michigan (still a surreal, if utterly mundane, feature of my real, current life), I got to wondering how much of how we see the world and our life is shaped by these snippets, these snapshots, these picture postcards from our childhood. How much of what I see around me, that is, of how I live and behave in the world, of what I expect out of life is based on what I experienced before the age of 5, of 10, of 15?
These may be questions worth further exploration in the future, but for today, and the memories of teenage reading aside, I’m grateful for my trip through Toledo, and the chain of memory that crossing an interesting bridge on the Interstate brought up in my mind. That little postcard from the past, from the summer or early fall of 1984 or the spring of 1985, did make me smile.
Amazing how that happens sometimes.